Friday, 16 December 2011

Institutional Research

Institutional Research

I have decided to look at where my text would exist in the real world.

Q magazine is the biggest selling alternative music magazine in the UK, it is operated by Box Television and specialises in indie, rock and alternative music genres. Q also has its own UK music channel based on the Q magazine itself, which launched on 2nd October 2000. The music channel is available on Sky in the UK, although it is available also in Ireland and South Africa.
The music channel is also called Q The Music (cue the music), which is the channel's own slogan. The channel plays a wide variety of music, bands such as Snow Patrol, Florence and the Machine, Coldplay, Ellie Goulding and Stereophonics.
Q is owned by Bauer Media which originally started as a asmall family owned printing house,and grew into a worldwide publishing and media company. They now own 282 magazines in 15 different countries, plus TV and radio stations.

The Q media group is making money from a variety of different contexts. The distribution figures for Q magazine from July-December 2010 (six month period) were 88,240 copies sold. The magazine sells at £3.99 per copy but subscribers receive discount. Q media group is working in association with Blackberry phone manufacturers who signed a six-figure deal with Bauer Media to celebrate the 25th anniversary of the music magazine Q. Advertising is one aspect of the revenue received by Q media.
Q has been heavily involved with The Glastonbury music festival- it was one of the official three media partners with The BBC and The Guardian. The media coverage for the festival in 2011 was the highest yet recorded.
Q printed a special Glastonbury festival review which they sold at the gates and in newsagents at the end of the festival, further raising revenue for the company.
Q media company produces Q the music, a music channel via Sky. The channels in the pay packs from Sky receive money from the subscribers.


Q music channel would be the ideal platform for my planned music video. The genre of my proposed piece of work is indie, which fits in well with their profile so therefore my product will be similar to existing music videos that they show. My planned text would look like a real product because I have used shots of the band, and a narrative including actors.

Costing of a Professional Music Video

Figures taken from http://www.justfilm.co.uk/costs.html

The Agency-
If an agency is used to project manage your music video you could expect to pay between £75 - £450 per hour.

The Production Company-
Approx £30 - £90 per hour for a producer/director) Scripts and/or storyboards might cost about £2,000.

The Shoot-
A 2-person crew with broadcast standard equipment will cost from £700 - £1,400 per 10-hour day. A single technician with a semi-professional DV camera can be as little as £350 per day.
Actors-
Well-known presenters often charge £3,000 or more per filming day for corporate work. Other presenters and actors normally charge £250 - £600 per day and non-featured extras about £90 per day.
Editing, Graphics & Music-
Production company with its own system might charge £400 per day whereas you would pay about £2,000 per day in a top West End suite. Commissioned music can cost from £500 to £3,000 for a 10-minute video.

If I had funding for my music video, I would use it for more impressive costumes and props, I would also pay for extra band members so that I could make the video more interesting. I would use higher spec equipment; cameras, tripods and lighting because filming outdoors in the winter means dealing with low light levels and restricts the hours that I could film. The music video would be shown on Q The Music channel as my planned video is very similar to a current popular music video- ‘Florence and The Machine- Dog days’ where the setting is similar to mine and the mix of band shots and nature are alike.
Music videos add another dimension to the soundtrack of a new song. They create interest in the band, and the music which widens fan bases. It raises awareness of a new song using TV as well as radio therefore advertising the band and their music.
Youtube is a worldwide broadcasting resource where more and more frequently music videos are being downloaded for public viewing. Therefore, my product could be shown on websites such as this which are alternative to television. Also, it could be shown on social networking sites such as Facebook and Twitter. The goal is mass media presentation of a new music video to ensure maximum exposure which will result in financial benefits for the company through sales.
There is a move in society towards the public using good quality digital video equipment to record and upload their own material onto social networking sites and promote exposure on an increasingly large audience worldwide. For example, Esmee Denters began her career promoting her music on Youtube and became a successful artist.
By Phoebe Atkinson

Thursday, 8 December 2011

Regulating Bodies

Ofcom-
Regulating Bodies


The Office of Communications, known as Ofcom, is the regulatory authority set up by the government in the United Kingdom, to monitor the broadcasting and telecommunications industries.  Ofcom’s remit is very wide ranging and includes monitoring adverts, music videos, radio and television. They duty is to cover licensing, research, codes and policies, complaints, competition and protect the radio from exploitation. Ofcom’s interest is within citizens to protect them as consumers from harmful or offensive material.

Ofcom has created a ‘Code of Practice’ for broadcasting (Feb ’11). Section one explains the ‘Protecting Under- Eighteens’ regulations. The guidelines for media aimed at Under 18s with reference to sexual content are:
1.8 they must protect the identification of the young person, ‘who are or might be involved as victim, witness, defendant or other perpetrator in the case of sexual offences featured in criminal civil or family court proceedings.’
1.9 Ofcom will pay particular regard to vulnerable position of any under 18 year old who is ‘involved as a witness or victim, before broadcasting’ their details. This also applies for under 18’s involved in ‘the defence as a defendant or potential defendant’.

In section 1.10, Ofcom explains that ‘the use of illegal drugs, the abuse of drugs, smoking, solvent abuse and the misuse of alcohol must generally be avoided and not encouraged or glamorised’ for childrens programmes unless there is an ‘editorial justification.’

1.14 of the code of practice talks about offensive language- this cannot be used before the watershed on TV. 1.15 says that offensive language should not be used except in exceptional circumstances but in 1.16 it does say that offensive can’t be used unless justified by the context and should certainly not be frequent.

Material that is classified as an BBFC R-18 or equivalent (hardcore pornography that exceeds the 18 certificate) should never be broadcast at any time. Adult sex material can only be shown within very strict guidelines and times (2200-0530 on premium subscription services).
Sexual intercourse must not be shown before the watershed unless there is an educational reason. (1.20) Nudity can only be shown if it is justified by the context.
The emotional welfare and dignity of people under eighteen has to be considered when they are used in programmes, irrespective of consent. It is not permissible to cause them any anxiety or distress.
Both physical and verbal violence have to be avoided before the watershed in programmes unless justified by the context. (1.11-1.13) Dangerous behaviour that children might copy cannot be portrayed unless justified.
Ofcom says that broadcasters must take precaution to viewers who may have photosensitive epilepsy. Broadcasters can demonstrate that broadcasting flashing lights and/or patterns is editorially justified, viewers need a verbal and text warning at the start of the programme or programme item before this is broadcasted. (2.12)

If I include flashing images in my music video, then I will have to have a verbal and text warning at the start of the music video to warn anybody who may have photosensitive epilepsy.

Ofcom states that ‘music videos are an artistic and creative medium, which can sometimes contain challenging content which some may find offensive.’ Ofcom has duties regarding all music videos so ‘that under-eighteens are protected and enforce generally accepted standards so as to provide adequate protection for members of the public from the inclusion of offensive and/or harmful material.’

Ofcom’s rules on clothing in music videos depends on how sexualised the clothing is and how the images are presented. Ofcom says that ‘Great care should be taken as to how these images are presented before the watershed.’ Meaning images of artists wearing for example, bikinis or underwear and in which way they are presented.


By Phoebe Atkinson


References:
www.wikipedia.com
www.ofcom.org.uk


Wednesday, 7 December 2011

Timeline for Music Video

Timeline Sections:

1.Band Shots
Playstation footage
2.Beach location shots
Weir quay footage
3.Lucy walking
Weir quay footage
4.Band Shots
Playstation footage
5.Lucy finds locket and note
Weir quay footage
6.Close-ups on note
Weir quay footage
7.Cuts to forest
Denham wood footage
8.Running shots in forest
Denham wood footage
9.Band Shots
Playstation footage
10.Walking through forest
Denham wood footage
11.Band Shots
Playstation footage
12.Creatures of forest following
Denham wood footage
13.Creatures of forest peep through trees
Denham wood footage
14.Band Shots
Playstation footage
15.Runs to river side
River side footage
16.Collects stones in hands from river side
River side footage
17.Cuts to stones in hands from beach
Weir quay footage  or
16.Collects stones in hands from river side
River side footage
17.Lays down by river side
River side footage
18.Cuts to laying down by beach side
Weir quay footage

The parts in grey show two possible endings to my music video which I have decided to edit and then compare to see which I feel is most effective. ‘Band Shots’ consist of Kirsten singing, Brad playing guitar and other shots of the musicians whilst performing i.e moving their foot to the rhythm of the song. For these different sections of the music video, I have taken lots of various shots, for example: long-shots, mid-shots, close-ups, panning, match on actions and point of view shots. Once I have filmed these, I will edit the shots together so that it flows smoothly. I decided to create this timeline so that it makes it easier for me when filming and planning my shots for my music video. I’m therefore pleased with this planning research because I know which parts of filming I need to do and in which order I need to edit them in. I also decided to write which footage I will find each section in to make it quicker and easier for me to get the shots that I need for each part.